Products related to Design:
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Technology Ethics : Responsible Innovation and Design Strategies
Technologies cannot simply be understood as neutral tools or instruments; they embody the values of their creators and may unconsciously reinforce existing inequalities and biases. Technology Ethics shows how responsible innovation can be achieved.Demonstrating how design and philosophy converge, the book delves into the intricate narratives that shape our understanding of technology – from instrumentalist views to social constructivism.Yet, at its core, it champions interactionalism as the most promising and responsible narrative.Through compelling examples and actionable tools this book unravels the nuances of these philosophical positions, and is tailored to foster responsible innovation and thoughtful design.As our everyday lives further intertwine with technology, understanding and implementing these design principles becomes not just beneficial, but essential. This concise and accessible introduction is essential reading for students and scholars of philosophy of technology, engineering ethics, science and technology studies, and human–machine communication, as well as policymakers.
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Material Innovation: Product Design
For the first time, materials technology – the single most important agent of change in our designed landscape, from the buildings in which we live and work to the clothes we wear – is analysed to show its transformation, volume by volume, of ten creative disciplines.It is being produced in association with Material ConneXion, keeper of the largest materials and processes library in the world.This volume is on Product Design, and features carefully selected products that showcase the innovative use of a particular material.It includes six specially commissioned ‘visual narratives’ by experts in the field, and an extensive illustrated materials directory with detailed information on almost 100 materials.With a preface by Michele Caniato, the President of Material ConneXion, and an introduction by Allan Chochinov, Chair of the School of Visual Arts MFA in Products of Design Program in New York, this book can be used both as the basis for new course structures and as the authoritative reference for professionals.
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Material Innovation : Packaging Design
The third volume in this series is on packaging design and features carefully selected products that showcase the innovative use of a particular material.The book focuses on specific categories of packaging – sustainable packaging, functional forms, dispensing systems, advanced protection, interactive and mass craft.Seven specially commissioned ‘visual narratives’ are included.The extensive illustrated materials directory contains detailed information on over 100 materials.
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Aviation Design and Innovation
In order to facilitate the safe, efficient and cost effective exchange of passengers and cargo between ground and sky airports require the provision of adequate runways, aircraft manoeuvring areas, cargo sheds and passenger processing facilities.Airports are capital intensive facilities and planning errors which result in the over or under-provision of capacity are both costly and problematic to rectify and so understanding the optimal configuration of passenger terminals is paramount. Of course, the design of passenger terminal buildings is influenced not only by levels of demand, the commercial requirements of airlines and tenant companies, the availability of investment funds and political influence but also by the aircraft that will be using the facility both now and in the future.Indeed, the introduction of the first generation of passenger jets in the 1950s and higher-capacity wide-bodied aircraft in the late 1960s required not only the expansion of gate areas and passenger processing facilities but also the introduction of new technologies such as the travelator, the baggage reclaim carousel and the airbridge.The introduction of the A380 ‘Super Jumbo’ into revenue passenger service in 2007 similarly demanded a reconfiguration of the airports it serves and practitioners need to be cognisant of the options for accommodating a new generation of large aircraft. While large aircraft generally require a lengthy turn around period between flights and the extensive provision of expensive fixed ground support infrastructure, low cost carriers pursue a business model based on very short turnarounds and minimal use of airport infrastructure assets such as airbridges.One of the main challenges facing airport operators is how to accommodate the diverse and dynamic requirements of different operators and these issues are addressed in this Volume.Traditionally, aircraft were made and manufactured by small companies within one country but as costs have increased and technology has become more sophisticated, a relatively small number of manufacturers, which are supported by international supply chains, have come to dominate the commercial aircraft market. Originally, all aviation jet fuels were derived from crude oil.However, concerns about future oil supply and energy security combined with the need to improve aviation’s environmental performance and sustainability has driven the development of alternative fuel sources.However, the development and adoption of alternative aviation fuels is not straightforward and the Volume examines the opportunities and challenges of widespread biofuel adoption in terms of production capacity, emissions reductions, cost and commercial viability.The final essays in this Volume address business model innovation in the airline and airport sector and include considerations of the future evolution of low cost carriers, the potential for airline-airport alliances and the development of multi-airport multinational operating companies.
Price: 220.00 £ | Shipping*: 0.00 £
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Is linguistic design the same as linguistic devices?
No, linguistic design and linguistic devices are not the same. Linguistic design refers to the overall structure and organization of language, including factors such as syntax, semantics, and discourse patterns. On the other hand, linguistic devices are specific techniques or tools used within language to achieve certain effects, such as metaphors, similes, or alliteration. While linguistic devices are a part of linguistic design, they are just one component of the broader concept.
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Is it possible to learn electronics and product design by oneself?
Yes, it is possible to learn electronics and product design by oneself through self-study, online resources, tutorials, and hands-on experimentation. With dedication, perseverance, and a willingness to learn, individuals can acquire the necessary knowledge and skills to excel in these fields. It is important to practice regularly, seek guidance from experts, and continuously challenge oneself to deepen understanding and expertise in electronics and product design.
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Have you lost the serial number for The Sims 3 Design Garden Accessories?
I'm sorry, but I am unable to provide specific serial numbers for any software, including The Sims 3 Design Garden Accessories. If you have lost your serial number, I recommend reaching out to the game's publisher or retailer for assistance in retrieving it.
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Do you prefer interior design or graphic design?
As an AI, I don't have personal preferences. However, both interior design and graphic design are important and have their own unique appeal. Interior design focuses on creating functional and aesthetically pleasing spaces, while graphic design involves creating visual concepts to communicate ideas. Both fields require creativity and attention to detail, and each offers its own set of challenges and opportunities for artistic expression.
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BRAUN--Fifty Years of Design and Innovation : Fifty Years of Design and Innovation
Braun products have been shown more frequently at exhibitions than those of any other comparable company.Some people find that they reflect basic human values such as authenticity and integrity.For others, they are the very incarnation of German perfectionism.Braun is not merely a trademark; it stands for an all-encompassing concept.For the last five decades, this concept has spawned innovative products with an unprecedented regularity that begs to be explained -- especially as the era spanned by the history of Braun design is not exactly one characterised by continuity.Instead, the second half of the 20th century witnessed a dramatic change in living conditions.Prosperity and greater ease entered our daily lives, but also widespread disorientation and alienation.It is to the credit of those who set the Braun design project in motion that they were able to counteract this feeling of alienation -- which manifested itself to them not least in poorly designed objects of daily use -- with a vision of design reform.There had already been attempts made along these lines.What was new was that a commercial enterprise spearheaded the movement.Also new was the systematic approach, the application of design principles to modern products and the innovative dynamic thus triggered.Finally, the considerable commercial success this design project enjoyed was likewise a revelation.All of this led the company to establish a design department that was not merely an appendage, but rather an active decision-maker in the development of products from the initial idea to realisation.This is how Braun and design became synonymous.
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Reimagining Design : Unlocking Strategic Innovation
The power of transformative design, multidisciplinary leaps, and diversity: lessons from a Black professional’s journey through corporate America. Design offers so much more than an aesthetically pleasing logo or banner, a beautification add-on after the heavy lifting.In Reimagining Design, Kevin Bethune shows how design provides a unique angle on problem-solving—how it can be leveraged strategically to cultivate innovation and anchor multidisciplinary teamwork.As he does so, he describes his journey as a Black professional through corporate America, revealing the power of transformative design, multidisciplinary leaps, and diversity.Bethune, who began as an engineer at Westinghouse, moved on to Nike (where he designed Air Jordans), and now works as a sought-after consultant on design and innovation, shows how design can transform both individual lives and organizations. In Bethune’s account, diversity, equity, and inclusion emerge as a recurring theme.He shows how, as we leverage design for innovation, we also need to consider the broader ecological implications of our decisions and acknowledge the threads of systemic injustice in order to realize positive change.His book is for anyone who has felt like the “other”—and also for allies who want to encourage anti-racist, anti-sexist, and anti-ageist behaviors in the workplace.Design transformation takes leadership—leaders who do not act as gatekeepers but, with agility and nimbleness, build teams that mirror the marketplace. Design in harmony with other disciplines can be incredibly powerful; multidisciplinary team collaboration is the foundation of future innovation.With insight and compassion, Bethune provides a framework for bringing this about.
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Design Thinking and Innovation in Learning
Acknowledging that empowering today’s learner to find innovative and enriching experiences brings about a deeper desire within them to learn and develop skills, this book showcases a combination of innovative educational practices and creative pedagogy techniques to demonstrate how educators can kick-start learning success.Serving up chapters that cross cultural boundaries and present numerous possibilities to assist in constructing new ventures in the classroom, the authors demonstrate how innovation in education and educational policies create new pathways and partnerships for educators.With each author offering a unique perspective on innovative teaching and learning, they chronicle their successes and failures, present new possibilities for enacting practical change in the classroom, and document how the impact of change is experienced and modified as successful techniques are implemented.Collectively, the chapters shine a light on the power of exposure to diverse opportunities, access to multiple techniques, and cross-cultural functionality in providing expansive value to the learner.Appealing to researchers interested in digital storytelling, blended learning, academic integrity, design thinking methods and educational collaboration, this edited collection emphasises the role of innovative educational design in framing and developing global leaders and mobilizing significant change.
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Stitched Shibori : Technique, Innovation, Pattern, Design
Written by expert shibori teacher Jane Callender, this beautiful, practical book is packed with both traditional and inventive stitch-resist techniques, a complete dyeing guide and an inspirational gallery of Jane’s work.This book contains all the information a beginner will need to get started - including tips on dyeing in small spaces and a guide to all the necessary health and safety considerations - but is also packed with innovative techniques and inspiring designs that will appeal to the experienced textile artist. The book is broken into three sections. The first shows you all the key stitch-resist techniques you need - from the basics right through to creating intricate designs – and all are clearly explained with photography and illustrations.Learn how to create a range of different shibori styles, oversew, make circles and other shapes, use grids, double needles, stencils and caps, bind fabrics, work with machine stitch, use fabric buffers and incorporate appliqué. The second section shows you how to use motifs to create pattern: learn how to create and position designs, including traditional arrangements such as Karamatsu and Tatewaku, create composite designs and get tips on how to plan your own patterns. Finally, the book contains a complete guide to dyeing – it contains recipes, tips and advice so that you can get the very best from every dye bath you make.Learn how to dye with both natural and synthetic indigo, in organic and synthetic vats.Also choose from a wide range of natural dyes, iron rust and dazzling Procion dyes, which can be used in combination or alone for amazing effects.
Price: 19.99 £ | Shipping*: 3.99 £
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Which area can you earn more money in: Interior Design, Graphic Design, or UX Design?
In general, UX Design tends to offer higher earning potential compared to Interior Design and Graphic Design. This is because UX Design involves creating digital experiences that directly impact user interactions with products or services, which is a highly sought-after skill in today's technology-driven world. Graphic Design and Interior Design also offer good earning potential, but UX Design typically commands higher salaries due to the specialized skills and expertise required in this field.
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In which area can one earn more money: Interior Design, Graphic Design, or UX Design?
In general, UX Designers tend to earn more money than Interior Designers and Graphic Designers. This is because UX Design is a specialized field that requires a deep understanding of user behavior, psychology, and technology, and there is high demand for skilled UX designers in the tech industry. Additionally, UX designers often work on complex projects that require a high level of expertise, which can command higher salaries. However, it's important to note that earning potential can vary based on factors such as location, experience, and the specific industry or company one works for.
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How to design the application portfolio for media design?
When designing an application portfolio for media design, it is important to showcase a variety of skills and styles. Include a range of projects that demonstrate proficiency in graphic design, web design, animation, and other relevant areas. Make sure to highlight your creativity, technical skills, and ability to work with different media formats. Organize your portfolio in a visually appealing and easy-to-navigate manner, with clear descriptions of each project and your role in it. Additionally, consider including any relevant work experience, internships, or freelance projects to provide a comprehensive view of your capabilities in media design.
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How to design the application portfolio for communication design?
When designing an application portfolio for communication design, it is important to showcase a diverse range of work that demonstrates your skills and creativity. Include a variety of projects such as branding, print design, digital design, and any other relevant work that highlights your abilities. Organize your portfolio in a clear and visually appealing manner, making it easy for potential employers or clients to navigate and understand your work. Additionally, consider including case studies or explanations of your design process to provide insight into your problem-solving abilities and creative thinking.
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